In Brief: Future Heart Drops Flaming Lips/Bon Iver Track From Upcoming Album

The Flaming Lips' Wayne Coyne on a
typical Tuesday Morning, 10am

Oklahoma City's golden children, The Flaming Lips, have plans to release their star studded double LP, The Flaming Lips and Heady Fwends, as a Record Store Day 2012. Boasting an almost unbelievably diverse cast of performers, Heady Fwends includes Bon Iver, Erykah Badu, Nick Cave, Yoko Ono, Neon Indian, Ke$ha, Jim James of My Morning Jacket, Lightning Bolt, Biz Markie, New Fumes, Chris Martin of Coldplay, and Edward Sharpe and the Magnetic Zero, among others.

The first of many tracks that will no doubt surface between now and Record Store Day, "Ashes In The Air" features Bon Iver joining the spaced-out, psychedelic, okie-indie-popsters. The Future Heart, whose aim is to chronicle their "enthusiasm for life, rock n’ roll, pop culture and The Flaming Lips," released the track earlier this evening to both the internet and Sirius XM DJ (and one of my many twitter nemesis), Jenny Eliscu. Eliscu premiered the song on her XM U program.

You can preview the track after the jump.

Myxem Playlist: Side One, Track One 2006-2011

As Spotify Week continues here at Myxem, the editors put together a special playlist, the first in a series. This playlist focuses on the best album openers of the past five years, in no particular order.  With artists as diverse as LCD Soundsystem and Neil Young, this playlist is a tribute to the rare moment that an album grabs a hold of you from the very start. Click the banner above to see our choices.

The Myxem Staff Reviews "Bon Iver, Bon Iver" by Bon Iver

Bon Iver, Bon Iver, released June 21st, 2011
on 4AD and Jagjaguwar

Grant:
Bon Iver, Bon Iver is an ambitious piece of work that marks not only the evolution of Justin Vernon and his band musically, but also emotionally.  While For Emma, Forever Ago was a raw and bare-boned type of album this sophomore release is far from the Bon Iver everyone came to know and love on his first release, but this rebirth of sound is an incredibly pleasing one.  Vernon's distinguished falsetto rings through amongst dense textures of sound in each track in a way that all sort of intertwines as an experimental, R&B, easy listening, soul, folk record.  The lyrics are just as strong and pertinent as they were on For Emma but my small qualm is that they're rather unintelligible while being sung by Vernon.  By no means am I saying that it's a large detractor from the album because like I said the lyrics are still incredibly powerful regardless of whether you need to be looking at a lyric sheet or not.  "Say nothing, that's enough for me", Vernon croons on "Holocene", the album has a familiar theme with it's lyrics that get you emotionally attached to every song, you get the feeling like Vernon really had something to say and knew exactly how he wanted it to be said.  In the same song he sings "And I at once knew I was not magnificent", quite frankly the world couldn't disagree more.  It's incredibly fulfilling to hear an artist grow as much as Bon Iver has over the past few years, especially when you can still hear bits of his old style sprawled about the album but with a new take on it, much like towards the end of "Minnesota, WI" when Vernon is spilling his heart out over a banjo riff that's meshing itself with a saxophone part as well.  From For Emma to working with Kanye, to Gayngs, Vernon has truly become a type of artist that I'm sure nobody would have pegged him as with the release of his debut effort.  I only see great things coming in the future for Bon Iver.

Rating: 9/10
Standout Tracks: "Holocene", "Perth", "Calgary"